Advertising: More Science Than Art

MediaMath is an important behind-the-scenes player for advertisers at a time when advertising networks, exchanges and platforms are changing the way advertising is bought and consumed. The New York-based demand-side digital media platform monitors activity on ad exchanges, where marketers bid to place ads on publishers’ Web sites, and helps them quickly buy the space and the audience they need. The system is helping turn advertising from a job for creative “Mad Men” to a numbers-based “real profession,” says MediaMath Chief Executive Joe Zawadzki.

Forbes:MediaMath allows marketers to directly buy, manage and optimize media. Tell us more.

Fifteen million impressions a day across exchanges, across different media. [We] simplify what could be a very complicated process into a series of pretty straight-forward stats, in terms of how to point all of the technology at the market’s problems.

What is the opportunity for publishers who want to sell ad inventory?

Ultimately, the more demand in an auction-based system, the higher the price. And for non-auction based systems, it’s bringing incremental advertising dollars that they’re not getting from direct sales. It’s like optimization is not zero sum. There has always been this tension between advertiser and publisher. People think that in the negotiation that someone wins and someone loses and, for the advertiser to get better performance, they need to beat up on the publisher. The reality is that, with optimization–because not everyone is looking for the same thing and because every advertiser has their own demand curve–they look for different brands, different audiences. If you do a good job with optimization, both the advertiser will see better performance and the publisher will see higher prices. It’s not an “or,” it’s an “and.”

Read More: Forbes.com

Do You Want To Succeed at Social Media or Social Media Marketing?

Do you want to succeed at social media or social media marketing? There is a huge difference. It’s the difference between using social media tools and adopting social media philosophy. The difference between sparking posts about your marketing and posts about your product or service. The difference between marketers who focus externally on how the brand is broadcast versus internally on how the brand is realized.

So do you want to succeed at social media or social media marketing? The answer is the former, but many marketers focus on the latter. I’d like to make this difference more real by sharing two examples — the first in the entertainment industry and the second my own experiences in a mall this weekend.

“Snakes on a Plane” is the entertainment industry’s greatest pre-release social media success story to date. The Guardian called it, “Perhaps the most Internet-hyped film of all time.” Fans produced their own T-shirts, posters, trailers, novelty songs and parodies. Producers organized a contest to select a fan’s music for use in the movie. The filmmakers added shooting days in order to implement changes suggested by fans on the Internet (including Samuel Jackson’s famous and unprintable line about snakes.)

But what were these people fans of? Not the product, apparently. As EW put said about the movie: “SOAP came in below even the most ridiculously cynical predictions.” Read More: MediaPost

The Fundamentals of Real-Time Bidding

When it comes to online advertising, there’s a common misconception that real-time bidding (RTB) is a whole new ball game, requiring a separate media strategy and an entirely new set of campaign goals. While it’s true that RTB is a different buying model for marketers to understand, the promise of digital display advertising remains “right message, right customer.” What RTB adds to the equation is “right price and right time.” Thanks to RTB and auction marketplaces, digital display can now be purchased in ways similar to search, and it dramatically improves a marketer’s ability to reach specific audiences at scale. It’s easy to think this might just be relevant for direct response campaigns, but in fact RTB delivers tremendous advantages for brand and branded response campaigns as well. Let’s look at how RTB enables all advertisers to more efficiently and effectively achieve four common campaign objectives.

1. Find custom audiences at scale
The fundamental concept of RTB is it enables marketers to target audiences directly, instead of using content as a proxy for audience. In auction markets, marketers bid (or not) on individual ad impressions based on the demographic and behavioral profile of a consumer, in contrast to traditional content-based buys where inventory is purchased to hopefully reach a targeted audience.

The beauty of RTB is that marketers target audiences based on their own custom definitions of which consumers are appropriate for a campaign. A classic strategy is to use remarketing data that tracks when consumers have visited the advertiser’s website. But with RTB, marketers can now take it to the next level and leverage their full customer relationship management (CRM) database for targeting. These data represent the advertiser’s full view of its customers (registration data, purchase history, loyalty tier, etc.). By using a CRM-capable demand-side platform (DSP), an advertiser can execute powerful cross-sell, up-sell, and retention campaigns.

However, these strategies, while extremely effective, tend to have limited reach. To increase scale, advertisers can use look-alike modeling to expand the size of the targetable audience. Look-alike modeling finds new consumers that closely resemble the demographic and psychographic attributes of an advertiser’s existing audience. How does this work? Imagine a dart board where the original remarketing audience is the red bull’s-eye in the center. Look-alike segments are the concentric circles that extend out from the center, with each circle increasing the scale of audience available at decreasing levels of similarity.

Read More: iMediaConnection

Media Buyers Discuss Ad Verification At ClickZ, IAB Ad Networks And Exchanges Event

Today, during ClickZ’s Connected Marketing Week in San Francisco which brought together name-your-digital-pleasure marketers to discuss their respective marketing channel, ClickZ and the Internet Advertising Bureau (IAB) also co-sponsored an Ad Networks & Exchanges event.

Editor’s note: It would seem the name of this type of IAB event may need to evolve. Demand-side platforms don’t want to be called ad networks. And, ad networks – to a certain degree – want to be known as demand-side platforms. Looking forward to the new name!

Just prior to the day-long event, the IAB released news (see it) that 16 IAB member ad network and exchange companies had become “the first to commit to comprehensive self-certification against the IAB ‘Networks & Exchanges Quality Assurance Guidelines,’ [which aims to] increase buyer control over the placement and context of advertising on ad networks and exchanges.”

In the third panel of the day, San Francisco-area media agencies provided their take on the fast-moving ad ecosystem and ad verification technologies, in particular.

Moderated by ValueClick Media’s Matthew Boyd, panelists included associate media director Kim Small of Universal McCann, senior media manager Pablito Padua of Signal to Noise (formerly Agency.com), associate media director Lindsay Wong of Razorfish and vp, digital strategy director Chris Unno of PHD.

Noting the new guidelines and their adoption by 16 member companies, panel members agreed they were heartened to see the step forward in adopting the brand safety measures. But Signal to Noise’s Padua added that he was disappointed that there weren’t additional networks on the initial list.

Read More: AdExchanger

Excess Ad Inventory Pushing Value-Added Services

The movement into value-added services by companies throughout the online advertising space continues to get more interesting. First we saw Google provide free tools and services to support online ad sales. Now search engine marketing companies have begun to provide free tools and platforms to small-and-medium size businesses in hopes of eventually locking them in to subscription services for life. Take that one step further, to find demand side platforms (DSP) building networks of tech offerings on top of real-time bidding platforms.

Xa.net built its platform as an integration hub to bring in data from BlueKai, eXelate and TargusInfo, as well as the media from ad exchanges and publishers. Add to that creative services and it gives advertisers a way to pull in targeting data, purchase ads, and design creative pieces.

The xa.net built technology that allows companies to access inventory from ad networks and exchanges through a real-time bidding system will also offer value-added services that assist companies with copywriting and creating ads. The company’s CEO, Rob Leathern, tells me xa.net began to build the platform earlier this year and will sign on five companies to augments its services. Think of it this way, Leathern wants xa.net to provide the underlying technology that connects complementary services to make everything work together. That includes ad creation for social media platforms, too.

One of those companies will become BoostCTR, a network of copywriters for text ads that will help xa.net clients improve the quality of copy written for Facebook ads. Others include 4Delit, a self-service system that lets small advertisers create Flash and rich media ads; Interpolls, which creates rich-media formats and widgets; OneScreen; and OggiFinogi.

Read More: MediaPost

Google TV plan is causing jitters in Hollywood

Google revolutionized the way people access information. Now it wants to transform how people get entertainment.

The search giant is touting an ambitious new technology, called Google TV, that would marry the Internet with traditional television, enabling viewers to watch TV shows and movies unshackled from the broadcast networks or cable channels on which they air. Users would need to buy a TV or set-top box with Google software that could connect to the Internet, along with a keyboard to type commands. Users could also use their iPhone or Android phone to operate Google TV.

The prospect of Google getting into television frightens many in Hollywood, who worry that Silicon Valley will upend the entertainment industry just like the Internet ravaged the music and newspaper industries.

Read More: LATimes.com

Matt Freeman: Marketers Need More Specialization, Fewer Agency Relationships

When Matt Freeman jumped from startup shop Betwave to Interpublic Group of Cos.’ Mediabrands back in January to head up its newly launched division called Ventures, which was responsible for overseeing 16 separate agencies, he landed right in the middle of the action.  The day after he joined the company it was announced that Nick Brien, former CEO of Mediabrands at the time, and the man who hired Mr. Freeman, was stepping down to run Interpublic’s McCann Worldgroup. Mr. Freeman, along with Matt Seiler, global CEO of Universal McCann; Richard Beaven, global CEO of Initiative; and Tara Comonte, chief operating officer and chief financial officer of Mediabrands, were then named to the office of the chairman, the new management structure that would run Mediabrands. But such situations aren’t really anything new for Mr. Freeman or all that daunting.  In fact, it’s probably nothing compared to the time his family moved to Italy and his mother informed him that he and his brother would be starting classes at an Italian public school that year. “We don’t speak Italian,” he remembers telling his mother. “Good luck,” she told him.

Read More: AdAge

Automating Success With Creative Optimization

Many sci-fi films portray a world where computers take control over mankind. It’s a scary concept and yet, in the near future, we may find even within our own industry, a world where computers make creative decisions for us.  But there’s no need to fear or panic. Unlike “Terminator” or “2001: A Space Odyssey,” these computers won’t turn against us. Instead, they will help us to facilitate smarter and more effective advertising.  The future is closer than you think and soon enough, creative optimization algorithms will change the way that advertisers interact with their target audience. It will enable advertisers to customize creatives and engage users on a personal level.  So what exactly is creative optimization? It’s a learning algorithm that receives constant feedback based on the user’s interaction with the ad. The algorithm changes the creative depending on the users’ feedback and can display the versions of creatives that are more likely to receive clicks, conversions, interactions or dwell.  By constantly comparing the results from each version of the ad, creative optimization automatically serves the most effective ads. Creatives can also be optimized to maximize performance for each target segment, taking the work out for advertisers who don’t have to waste time playing the guessing game. Advertisers can upload all of their creative ideas and let the algorithm serve the versions that users will respond to the most.

Read More: Adotas

The End Of Location Based Applications?